In the picture are situated three figures in the foreground. In 1932 the painting buy Italian state from prince Giovenelli and goes to Galleria dell'Accademia in Venice where is up to the present. Then on 300 years painting sinks into oblivion and then in 1855 found forgotten painting Swiss art historian Jacob Burckhardt in Palazzo Manfrin in Venice. In 1567-69 is painting mentioned in stock of Vendramin collection which was worked out by art committee which consists several significant artists. wants to buy this work but Vendramin? s heirs lock work in. After Vendramin death duke of Bavaria Albert V. It arose to order of Venetian nobleman Gabriel Vendramin and in 1530 was mentioned as his property. It is oil on canvas and nowadays is placed in Galleria dell'Academia in Venice.
The Tempest Picture painted just before artist death inġ506 up to 1508 is relatively small-sized. Giorgione helped Italian art to do an important step forward. His figures are surrounded by melancholia and raising on the verge of dream. In his portraits knew interpret that strange trembling of human being what we can later see in Titian or El Greco. Wood was replaced with canvas, which is better for work. He developed perception and painting technique. Giorgione was mainly appreciated for his depicting of phenomenon of weather, thunderstorm, night mood or sunrise. His work is filled with romantic atmosphere and intense atmospheric colours. His new style brought to painting individual sfumato, equal to Leonardo da Vinci which makes lights and shadows more vivid and impressive and so modern comprehension of landscape with pulsing life and sense. Despite the short Giorgione’s activity his contribution to renaissance painting is very significant. Liberalis and Francis and Three philosophers. 7] His most important works where his authorship is undeniable are except The Tempest either Sleeping Venus, Nativity and Adoration of the Shepherds, Enthroned Madonna with Sts. This was reason why into Venetian art get temporal themes inspired by philosophical reflections and poetics and we have today problems determine their real sense.
He was permanent member of court assembled by Cyprian ex-queen Caterina Cornaro in Asola and where met poets, musicians and painters. Giorgione moved in the most intellectual circles of Venice where he met with Neo-Platonist philosophers. Vasari casts that from this moment he starts paint in modern way. March 1500 Leonardo da Vinci was in Venice, from which Giorgione learned technique aniera moderna, that is sfumato, later typical for Titian.
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